It has been another extremely intense week at the DAI, with more lectures, seminars and screenings than I would like to count, although really exciting and definitely inspiring.
Started out in the pouring rain on Sunday evening with a rucksack completely overfilled, a shoulder bag and two enormous cardboard boxes which were soaked and so just about falling apart before I could even get on the tram to CS. Finally arrived at the DAI house (the Spartan accommodation which they have provided in the centre of Enschede) about 3 hours later completely knackered and with my arms half falling off. It’s a nice feeling though to arrive somewhere after carrying a huge amount of stuff and to feel about half your normal weight when you take it off; almost worth the effort, I would say. A poor man’s weightlessness suit, in fact.
Monday was taken up by a completely brain-mangling series of presentations on what the 2nd year students got up to on their research trips last year, and some explanation of what we are likely to encounter on our own adventures, which are likely to take place in January or February and will be to either Khartoum in Sudan (yes, that’s right) or Diyarbakir in Turkey. The group last year had visited Taipei, Damascus, and Beirut (obviously before Israel’s recent bombardments), and had of course encountered all sorts of culture clashes and communication problems in the process. The work resulting from their efforts had certainly been interesting, but had achieved admittedly mixed levels of success.
What several of us agreed upon after hearing about the situation in these places is that it will likely be extremely difficult to practise as artists in these kind of environments; how can you possibly start making works of public art in places where people are scarce guaranteed enough to eat and where the life expectancy is below the age at which most people in the West think about getting married? I can’t help but feel uncomfortable about the whole thing.
I’m keeping an open mind about it, though, and in any case it will be an amazing experience. Africa, for Christ’s sake! Still need to find another €400 towards it, though (already paid €200). The Dutch government picks up the rest, so I’m not complaining too much.
Tuesday & Wednesday involved some pretty interesting lectures in the morning (along with a long list of books to be read, unfortunately), followed by visits to our studios by a couple of guest tutors. I have to admit that I was quite nervous about this, especially since my background is of course in design and I still feel like a bit of an imposter here on what is a fine art course. In fact they were very encouraging and stressed that this is just the beginnings of a 2 year course, which is naturally pretty much exactly what I wanted to hear. Lots of useful advice too, and plenty to get working on when I get back to Amsterdam.
More of the same on Thursday, pretty much, although also quite a lot of stress on my part because for some reason my wages had not arrived in my bank account and the rent plus 2 month’s deposit is due today. Once again I have financial troubles which will doubtless involve a lot of excuses and apologising at the very least, and all caused by someone else’s screw-up somewhere – it is a common occurrence and I am really getting annoyed with it.
On Friday we made a trip together to the Van Abbemuseum in Eindhoven (preceded by a horrible 3 hours sitting in a traffic jam in blinding sun in a coach with the most tortuous shite on the radio), which I suppose was OK; by this point though I was getting a bit tired of 5 days of intellectual artyness. Time to get drunk and make jokes that 5-year-olds would find childish, I think.
One thing which kind of pissed me off was the design of the museum’s tickets (see example below). It seems to be fashionable for institutions in the Netherlands who want to appear cool and trendy to adopt the most bizarre and stupid sounding English slogans (I bet that’s not the proper term, it’s probably “brand statements” or some nonsense like that), most likely developed at great expense. “Museum. Good Idea!”. Give me a break.

Following this a few of us visited the graduation show of the Design Academy Eindhoven, which had a few quite nice things, although it also kind of reminded me of why I want to get away from design (at least for a while). There were several ideas which I thought were really great, but just like back at GSA there was just too much that only made you think, “aye, smart idea, but why?”. Sometimes it seems that people are working too hard to find imagined problems to fit with their own tired, repetitive, and arbitrary “solutions”. Real life will separate the wheat from the chaff I suppose; cruel, but in the end probably for the best.
One interesting footnote to this. One girl’s work involved a huge collection of her own holiday photos from which you were invited to take one or two (for a donation of €1), creating your own sort of “imagined holiday”. All fair enough in itself, except that one section of photos was labelled “Stonehenge, Scotland”. Now of course Stonehenge is nowhere near Scotland, which throws up two possibilities;
- She did visit Stonehenge and believed that she was in Scotland at the time. I have no idea how this could have been the case. I would say that even in my most drunken or wasted state I have always known what country I am in.
- She was actually in Scotland and thought that she was looking at Stonehenge. I suppose the Callanish stones on Lewis (though I’ve never been there) might be close enough if you were half blind or drunk or something, but I would say it’s a long shot. Perhaps someone had said for a joke that the Armadillo in Glasgow is actually called “Stonehenge”.
In any case, mysterious.