Münster and Kassel with the DAI
The summer has flown by, and once again I am back at the DAI. Difference is, this time I am in the second and therefore last year, and so things will be a bit more, well, interesting. Nae mare arsing around.
Thankfully, our first week was quite easy. It didn’t begin that way, with a gruelling day of listening to various people inform us about all sorts of “essential” information (much of it irrelevant), but with that out of the way we were off to Münster to see some of the works in Skulptur Projekte Münster 07 (one of which I was of course part of in the summer).
I was quite pleased about this trip, since I had not had time to see very much when I was here earlier in the summer. Highlights (aside from Maria’s project) for me would be Bruce Naumann’s Square Depression and The Lost Reflection by Susan Philipsz; of course, there wasn’t the time to see everything.
After some dinner we were all herded back onto the bus and onward to Kassel, where we would spend two days visiting the documenta festival – the largest visual arts festival in the world, held every five years in this otherwise unremarkable and frankly quite ugly city. Like many towns in this part of Germany, it was indescriminately flattened in WWII; as a British person, one can’t help but have a lingering feeling of guilt when hearing this.
It was very late when we arrived at our hotel, the frankly unbelievable Grand Hotel moderne La Strada. Its tastelessness is beyond explanation, so much so that it perhaps transcends kitsch and enters some new category of its own. The pièce de résistance is surely the bar, with neon lighting which would have been too much even in the ’80s, shiny bronze mirrors on the ceiling, and best of all a resident band playing the same songs every night of the week, among which of course “Copacabana” – no joke!
On Thursday morning we began our visit to the festival itself. It’s an enormous undertaking, and it would be kind of futile to attempt to see it all in a few days. Even after a few hours my head was dizzy and I could no longer take any more art in; I find visiting museums sometimes overwhelming, and this was ten times as big as the Rijks or the Stedelijk. I decided to take a break, read the catalogue (itself over 400 pages), and take a more focussed look on Friday.
Gabriëlle had announced that there would be a competition for ideas for a group picture of the DAI in Kassel, to form the content of an advertisement in Metropolis M (an important Dutch art magazine). Tao came up with the winning suggestion, which involved us all standing in the field of rice which had been planted in front of the Schloss Wilhelmshöhe (as part of an artwork by Sakarin Krue-On). We were then to “be” rice, shooting up like the new artistic talents that we are…
Of course, there was some concern that we would get chased away for doing this, so it had to be done quickly and unobtrusively. This was the plan, but of course getting thirty or so people to get their socks off, stand in a rice field, and be photographed is not the sort of thing that can be done without getting noticed. We managed to pull it off, just about.
After that, some more staring at art; I’m not going to say too much about this aside from the fact that there were a few works I liked, and a great deal that didn’t do much for me at all. I get very worried sometimes that I am missing the point of a lot of art, which in turn makes me nervous that I am stupid or just don’t have an eye for the subtle. What helps the most here is when I can remind myself to look for what affects me on a personal level, to trust my own instinct and remember why I became interested in art in the first place; if I can do this, it all becomes a lot more meaningful and enjoyable. This is unfortunately much easier said than done. I find that one can easily become trapped between two worlds, on one side the professional art criticism scene who understand this kind of thing, and on the other the general public with the “my two-year-old could paint that” type of attitude. They are, of course, both wrong and both right at the same time. This ambiguity makes it all the more interesting.
Finally, dinner with the group and a fruitless search round Kassel for some nightlife before heading back to the hotel and a few drinks to, yes, more “Copacabana”. And on Saturday, a very long journey back to Amsterdam.


